@base <https://monomyth.metamuses.org/graph/> .
@prefix monomyth: <https://monomyth.metamuses.org/ontology#> .
@prefix dcterms: <http://purl.org/dc/terms/> .
@prefix owl: <http://www.w3.org/2002/07/owl#> .
@prefix rdf: <http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> .
@prefix schema: <http://schema.org/> .
@prefix wd: <http://www.wikidata.org/entity/> .
@prefix xsd: <http://www.w3.org/2001/XMLSchema#> .

# ==============================================================================
# SABLE, fABLE (Music Album, 2025)
# ==============================================================================

<sable-fable> a monomyth:NarrativeWork,
        schema:MusicAlbum ;
    rdfs:label "SABLE, fABLE"@en ;
    dcterms:title "SABLE, fABLE"@en ;
    dcterms:created "2025"^^xsd:gYear ;
    dcterms:creator "Bon Iver" ;
    schema:countryOfOrigin wd:Q30 ;
    schema:genre "Indie Folk"@en,
        "Art Pop"@en ;
    owl:sameAs wd:Q132775424 ;
    monomyth:interpretedBy <sable-fable/monomyths/justin-vernon-journey> ;
    rdfs:comment """An autobiographical double-EP/album chronicling Justin Vernon's journey from a
period of intense anxiety, isolation, and guilt (SABLE,) into a renewed era of love, peace, and
acceptance (fABLE)."""@en .

# --- Monomyth Expressions --------------

<sable-fable/monomyths/justin-vernon-journey> a monomyth:MonomythExpression ;
    rdfs:label "Justin Vernon's Autobiographical Journey"@en ;
    monomyth:interprets <sable-fable> ;
    monomyth:hasHero <sable-fable/characters/justin-vernon> ;
    monomyth:hasCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-reflection>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasStageRealization <sable-fable/stages/the-intrusive-call>,
        <sable-fable/stages/fear-of-change>,
        <sable-fable/stages/the-violent-spree>,
        <sable-fable/stages/the-plea-for-forgiveness>,
        <sable-fable/stages/accepting-the-change>,
        <sable-fable/stages/the-psychological-trials>,
        <sable-fable/stages/the-peaceful-love>,
        <sable-fable/stages/the-blissful-rest>,
        <sable-fable/stages/the-temptation-to-regress>,
        <sable-fable/stages/the-absent-father>,
        <sable-fable/stages/the-emotional-capacity>,
        <sable-fable/stages/lingering-in-the-sanctuary>,
        <sable-fable/stages/the-perilous-retreat>,
        <sable-fable/stages/the-lifeline>,
        <sable-fable/stages/the-weight-of-the-world>,
        <sable-fable/stages/the-equilibrium>,
        <sable-fable/stages/no-more-shame> .

# --- Characters -----------------------

<sable-fable/characters/justin-vernon> a monomyth:Character ;
    rdfs:label "Justin Vernon"@en ;
    rdfs:comment "The autobiographical hero of the narrative."@en ;
    monomyth:heroOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:characterOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:embodiesArchetype monomyth:Hero ;
    owl:sameAs wd:Q3432151 .

<sable-fable/characters/the-reflection> a monomyth:Character ;
    rdfs:label "The Reflection / The Competitor"@en ;
        rdfs:comment "An internal antagonist born of anxiety and trauma."@en ;
    monomyth:characterOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:embodiesArchetype monomyth:Shadow .

<sable-fable/characters/the-new-love> a monomyth:Character ;
    rdfs:label "The Partner / The New Love"@en ;
    rdfs:comment "The figure represents healing, unity, and a safe harbor."@en ;
    monomyth:characterOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:embodiesArchetype monomyth:Ally .

# --- Stage Realizations ---------------

<sable-fable/stages/the-intrusive-call> a monomyth:StageRealization ;
    rdfs:label "THINGS BEHIND THINGS BEHIND THINGS (Verse 1)"@en ;
    monomyth:realizesStage monomyth:TheCallToAdventure ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-reflection> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 1 ;
    monomyth:realizationDescription """The Call to Adventure manifests as a psychological rupture.
Justin Vernon expresses a desperate desire for an anxious 'feeling' to be gone, repeating himself
three times in a way that reflects 'the nature of unrelenting intrusive thoughts'.
This state of 'anxiety and desperation' serves as the summons. When he looks in the mirror and
sees his reflection resembling 'some competitor', he is receiving the call to finally confront
his own layered trauma."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/fear-of-change> a monomyth:StageRealization ;
    rdfs:label "THINGS BEHIND THINGS BEHIND THINGS (Verse 2)"@en ;
    monomyth:realizesStage monomyth:RefusalOfTheCall ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 2 ;
    monomyth:realizationDescription """The Refusal of the Call is explicitly voiced when Vernon
admits, 'I am afraid of changing.' Faced with the 'enormity of the journey ahead'—which requires him
to 'check and rearrange' his mental state—he hesitates ('How'm I supposed to do this now?').
The weight of what must be confronted is represented by the 'rings within rings within rings',
symbolizing the astronomical, repeating layers of built-up trauma he must peel back to heal.
He realizes the journey to happiness will require him to face the very things he has been trying to
ignore."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/the-violent-spree> a monomyth:StageRealization ;
    rdfs:label "S P E Y S I D E (Verse 1-3)"@en ;
    monomyth:realizesStage monomyth:TheBellyOfTheWhale ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 3 ;
    monomyth:realizationDescription """Written during an isolating period in Key West,
'S P E Y S I D E' represents the deepest point of darkness. Vernon is swallowed by guilt
over his 'violent spree' of self-sabotage, destroying relationships and shooting himself in the foot
('It serves to suffer, make a hole in my foot'). This is the symbolic death of his ego, reduced to
'soot', where he realizes he 'can't make good' on his own."""@en ;
    monomyth:hasSequentialDivergence <sable-fable/divergences/sequential/healing-sequence-inversion> ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/the-plea-for-forgiveness> a monomyth:StageRealization ;
    rdfs:label "S P E Y S I D E (Verse 4)"@en ;
    monomyth:realizesStage monomyth:SupernaturalAid ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 4 ;
    monomyth:realizationDescription """In verse 4 of 'S P E Y S I D E', the Supernatural Aid
manifests not as a wizard or divine messenger, but as the grounding presence of the people he loves.
While asking for forgiveness from this group of people he hurt, he hopes they can 'still make a man
from me'. This belief that his loved ones can still see the beauty in him acts as the 'talisman' and
psychological assurance he needs to survive the darkness and prepare for the threshold crossing."""@en ;
    monomyth:hasSequentialDivergence <sable-fable/divergences/sequential/healing-sequence-inversion> ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/the-secular-anchor> .

<sable-fable/stages/accepting-the-change> a monomyth:StageRealization ;
    rdfs:label "AWARDS SEASONS"@en ;
    monomyth:realizesStage monomyth:TheCrossingOfTheFirstThreshold ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 5 ;
    monomyth:realizationDescription """'AWARDS SEASON' represents the Crossing of the First Threshold.
The song narrates a phase of sluggish and staggering change, drawing parallels to the 'acceptance'
of awards, where the award is actually personal transformation and subsequent healing. By
recognizing that 'Nothing stays the same', Vernon commits to the adventure, crossing from the
paralyzing guilt of his past into the unknown sphere of acceptance and recovery."""@en ;
    monomyth:hasSequentialDivergence <sable-fable/divergences/sequential/healing-sequence-inversion> .

<sable-fable/stages/the-psychological-trials> a monomyth:StageRealization ;
    rdfs:label "SHORT STORY"@en ;
    monomyth:realizesStage monomyth:TheRoadOfTrials ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 6 ;
    monomyth:realizationDescription """In 'Short Story', the Road of Trials is realized as an inward
psychological ordeal of processing pain and accepting vulnerability. Vernon realizes that his past
isolation—symbolized by the lyric 'That January ain't the whole world'—is not the entirety of his
existence, successfully transmuting the melancholy of his past. As he steps into the bright sunlight,
he discovers the presence of a 'helper' through the realization that he is 'never really, really on
your own'. The annotations highlight that having someone 'recognize and validate your experience'
acts as a 'healing balm'. Finally, the continuous ordeal of healing is accepted; the 'strain and
thirst are sweet' because they represent the essential, cyclical work of emotional purification
('Time heals, and then it repeats')."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/the-peaceful-love> a monomyth:StageRealization ;
    rdfs:label "Everything Is Peaceful Love"@en ;
    monomyth:realizesStage monomyth:TheMeetingWithTheGoddess ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 7 ;
    monomyth:realizationDescription """In 'Everything Is Peaceful Love', the hero encounters the
archetype of the Goddess, representing the attainment of true bliss and unity. The song encapsulates
'pure joy and elation', moving past his previous somber wallowing into a state painted with 'images
of unity - peace and love'. Although he initially resists the vulnerability by claiming 'I'm not
slipping', he eventually surrenders with a gentle heart, blinking in disbelief but admitting he is
'right at home'. The lyric mentioning a 'burning ring' perfectly symbolizes the archetypal mystical
marriage, completing his transition into a peaceful harbor."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/the-secular-anchor> .

<sable-fable/stages/the-blissful-rest> a monomyth:StageRealization ;
    rdfs:label "Walk Home"@en ;
    monomyth:realizesStage monomyth:Apotheosis ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 8 ;
    monomyth:realizationDescription """In 'Walk Home', the hero temporarily achieves the Apotheosis
stage. Stripped of his ego-bound limitations, he is invited to 'shed your earthly burdens'. He is
able to 'forget and share' his 'stress, anxiety and the constant motions of life', dwelling
momentarily in a state of 'blissful rest'. He is so 'high on this person' that the feeling mirrors
the 'happiness, shock, and excitement' of learning to walk."""@en ;
    monomyth:hasSequentialDivergence <sable-fable/divergences/sequential/the-pink-cloud-sequence> ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/the-secular-anchor> .

<sable-fable/stages/the-temptation-to-regress> a monomyth:StageRealization ;
    rdfs:label "Day One"@en ;
    monomyth:realizesStage monomyth:WomanAsTheTemptress ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 9 ;
    monomyth:realizationDescription """In 'Day One', the hero faces the Woman as the Temptress,
but the seduction is entirely internal. Following the pure bliss of the Goddess stage, Vernon is
confronted with the exhausting reality of maintaining his healing ('unlearning lies' and shedding
the things that 'rip you up'). The 'temptation' that threatens to arrest his journey is the
seductive pull of regression—the familiar, isolating comfort of his past trauma and anxiety. It is
the urge to self-sabotage and return to the 'Belly of the Whale' rather than continue the difficult,
transcendent work of true recovery."""@en ;
    monomyth:hasSequentialDivergence <sable-fable/divergences/sequential/the-pink-cloud-sequence> ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/the-internal-temptress> .

<sable-fable/stages/the-absent-father> a monomyth:StageRealization ;
    rdfs:label "The Absent Atonement"@en ;
    monomyth:realizesStage monomyth:AtonementWithTheFather ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:AbsentFit ;
    monomyth:stageRealizationOrder 10 ;
    monomyth:hasNarrativeDivergence <sable-fable/divergences/narrative/internalized-authority> .

<sable-fable/stages/the-emotional-capacity> a monomyth:StageRealization ;
    rdfs:label "From (Verse 1-2)"@en ;
    monomyth:realizesStage monomyth:TheUltimateBoon ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 11 ;
    monomyth:realizationDescription """In 'From', Vernon attains the Ultimate Boon of his
psychological journey: restored emotional capacity. Having survived his trials and self-sabotage,
he declares, 'Nothing's really wrong so / From now on'. The 'elixir' he has gained is the ability to
finally hold space for someone else, telling his partner, 'I got time, I can give you some' and
'Give me your worry'. This represents the power to restore illumination to his world, transforming
him from a person consumed by his own trauma into a source of healing for another."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/lingering-in-the-sanctuary> a monomyth:StageRealization ;
    rdfs:label "From (Bridge and Chorus)"@en ;
    monomyth:realizesStage monomyth:RefusalOfTheReturn ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:ModerateFit ;
    monomyth:stageRealizationOrder 12 ;
    monomyth:realizationDescription """Alongside the Boon, 'From' simultaneously expresses a gentle
Refusal of the Return. Having found a state where 'Nothing's really wrong', Vernon exhibits a
reluctance to move forward into the mundane world or face the inevitable changes of the future.
Lyrics like 'We can just keep it here for now' and 'Can I take another year?' demonstrate his desire
to cling to this realm of blissful discovery and delay the passage of time."""@en ;
    monomyth:hasNarrativeDivergence <sable-fable/divergences/narrative/the-gentle-refusal> .

<sable-fable/stages/the-perilous-retreat> a monomyth:StageRealization ;
    rdfs:label "I'll be there (Verse 1-2)"@en ;
    monomyth:realizesStage monomyth:TheMagicFlight ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:StrongFit ;
    monomyth:stageRealizationOrder 13 ;
    monomyth:realizationDescription """In the verses of 'I'll Be There', the hero navigates the
Magic Flight. Rather than fleeing physical pursuers, Vernon is fleeing the threat of mental
regression as he attempts to return to ordinary life. He actively tests his newly won transformation
by coaching himself to endure: 'Don't you dare go down / Tape the polaroid to your dome / Keep the
sad shit off the phone'. The command to 'get your fine ass on the road' represents the active,
perilous push forward to maintain his healing."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/the-lifeline> a monomyth:StageRealization ;
    rdfs:label "I'll be there (Chorus)"@en ;
    monomyth:realizesStage monomyth:RescueFromWithout ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 14 ;
    monomyth:realizationDescription """Because the hero exhibited a Refusal of the Return in the
previous track, he requires a Rescue from Without to pull him fully back into human society. This is
structurally realized through the song's chorus, sung by a guest vocalist (Danielle Haim)
representing the partner. Her repeated assurances — 'I'll be there / I won't move / Tell me more, or
tell me nothing' — act as the external tether reaching across the threshold, drawing the exhausted
traveler safely home."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/the-secular-anchor> .

<sable-fable/stages/the-weight-of-the-world> a monomyth:StageRealization ;
    rdfs:label "If only i could wait"@en ;
    monomyth:realizesStage monomyth:TheCrossingOfTheReturnThreshold ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 15 ;
    monomyth:realizationDescription """'If Only I Could Wait' perfectly embodies the Crossing of the
Return Threshold. The hero is stepping out of his isolated, timeless sanctuary (the cabin) to
re-enter the ordinary world by moving to California, but he is terrified of the impact. Vernon
questions his ability to survive the transition, asking, 'Can I incur the weight? / Am I really this
afraid now?'. The duet functions as 'a bilateral crying question' representing the agonizing effort
to hold onto the 'boon' of their newfound love amidst the uncertainty, distance, and decay of the
real world ('We'll decay in other ways now')."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/the-geographical-threshold> .

<sable-fable/stages/the-equilibrium> a monomyth:StageRealization ;
    rdfs:label "There's a Rhythm (Verse 1-2)"@en ;
    monomyth:realizesStage monomyth:MasterOfTheTwoWorlds ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 16 ;
    monomyth:realizationDescription """In the first two verses of 'There's A Rhythmn', Vernon
achieves the Master of the Two Worlds stage. The 'two worlds' are geographically and emotionally
represented as his dark, isolated past in Wisconsin ('the snow') and his bright, connected future in
California ('a land of palm and gold'). By asking 'Or are less and more the same?' and recognizing
that 'There's a rhythmn to reclaim', he achieves a psychological equilibrium. He holds both
realities simultaneously, finding harmony ('rhythmn') between his past trauma and his present
healing."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

<sable-fable/stages/no-more-shame> a monomyth:StageRealization ;
    rdfs:label "There's a Rhythm (Verse 3)"@en ;
    monomyth:realizesStage monomyth:FreedomToLive ;
    monomyth:stageRealizationOf <sable-fable/monomyths/justin-vernon-journey> ;
    monomyth:involvesCharacter <sable-fable/characters/justin-vernon>,
        <sable-fable/characters/the-new-love> ;
    monomyth:hasFitQuality monomyth:PerfectFit ;
    monomyth:stageRealizationOrder 17 ;
    monomyth:realizationDescription """The album's lyrical climax in verse 3 perfectly embodies the
Freedom to Live. Released from the paralyzing anxiety and 'shame' that defined the beginning of his
journey, Vernon lives fully in the present moment. He declares, 'Ya know I've really no more shame /
Now things really are arranged', proving he has finally conquered the fear of change that initiated
his Refusal of the Call. His focus shifts outward to pure connection ('Cause you really are a babe'),
acting as a conduit for love without attachment to the guilt of his past."""@en ;
    monomyth:hasSemioticDivergence <sable-fable/divergences/semiotic/psychological-internalization> .

# --- Narrative Divergences ----------------------

<sable-fable/divergences/narrative/the-gentle-refusal> a monomyth:NarrativeDivergence ;
    rdfs:label "The Gentle Refusal"@en ;
    monomyth:divergenceOf <sable-fable/stages/lingering-in-the-sanctuary> ;
    monomyth:divergesFrom monomyth:RefusalOfTheReturn ;
    monomyth:divergenceRationale """Typically, the Refusal of the Return is an active rebellion
against returning to humanity. Here, it is a much gentler, understandable psychological reaction.
After years of suffering, the hero simply wants to press pause ('We can just keep it here for now')
to savor his hard-won peace before facing whatever comes next."""@en .

<sable-fable/divergences/narrative/internalized-authority> a monomyth:NarrativeDivergence ;
    rdfs:label "Internalized Authority Divergence"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-absent-father> ;
    monomyth:divergesFrom monomyth:AtonementWithTheFather ;
    monomyth:divergenceRationale """In classical mythology, the hero's ego-death is triggered by
an encounter with a terrifying Father-figure. In modern psychological narratives, this external
projection is stripped away. The hero's battle is entirely with the Shadow (their own reflection)
and the Temptress (the urge to regress). Because the hero acts as their own ultimate judge and
punisher (as seen in the guilt of 'S P E Y S I D E'), an external 'Atonement' stage is rendered
narratively obsolete; reconciliation must be achieved through self-forgiveness rather than cosmic
approval."""@en .

# --- Sequential Divergences ----------------------

<sable-fable/divergences/sequential/healing-sequence-inversion> a monomyth:SequentialDivergence ;
    rdfs:label "The Trauma Sequence Inversion"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-violent-spree>,
        <sable-fable/stages/the-plea-for-forgiveness>,
        <sable-fable/stages/accepting-the-change> ;
    monomyth:divergesFrom monomyth:TheBellyOfTheWhale,
        monomyth:SupernaturalAid,
        monomyth:TheCrossingOfTheFirstThreshold ;
    monomyth:divergenceRationale """In Campbell's canonical framework, the hero receives
Supernatural Aid, Crosses the Threshold, and then is swallowed into the Belly of the Whale.
In this autobiographical album about mental health, the sequence is inverted. The hero is already
trapped in the 'Belly' of his own anxiety and guilt (S P E Y S I D E). The Supernatural Aid
(the forgiveness of loved ones) must arrive while he is in the abyss.
This aid gives him the strength to finally Cross the Threshold (AWARDS SEASON) out of his darkness
and into the active phase of healing."""@en .

<sable-fable/divergences/sequential/the-pink-cloud-sequence> a monomyth:SequentialDivergence ;
    rdfs:label "The 'Pink Cloud' Sequence Inversion"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-blissful-rest>,
        <sable-fable/stages/the-temptation-to-regress> ;
    monomyth:divergesFrom monomyth:Apotheosis ;
    monomyth:divergenceRationale """In Campbell's canonical ordering, Apotheosis follows the Atonement
with the Father and the Temptress. In this autobiographical narrative of mental health recovery,
the sequence is inverted to reflect the 'Pink Cloud' phenomenon. The hero experiences a premature
Apotheosis immediately following the Meeting with the Goddess, soaring into a state of blissful rest
before he has actually done the hard work of unlearning his trauma. This premature peak makes the
subsequent crash into the Temptress stage ('Day One') inevitable and structurally devastating."""@en .

# --- Semiotic Divergences ----------------------

<sable-fable/divergences/semiotic/psychological-internalization> a monomyth:SemioticDivergence ;
    rdfs:label "Psychological Internalization"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-intrusive-call>,
        <sable-fable/stages/fear-of-change>,
        <sable-fable/stages/the-violent-spree>,
        <sable-fable/stages/the-psychological-trials>,
        <sable-fable/stages/the-emotional-capacity>,
        <sable-fable/stages/the-perilous-retreat>,
        <sable-fable/stages/the-equilibrium>,
        <sable-fable/stages/no-more-shame> ;
    monomyth:divergesFrom monomyth:TheCallToAdventure,
        monomyth:RefusalOfTheCall,
        monomyth:TheBellyOfTheWhale,
        monomyth:TheRoadOfTrials,
        monomyth:TheUltimateBoon,
        monomyth:TheMagicFlight,
        monomyth:MasterOfTheTwoWorlds,
        monomyth:FreedomToLive ;
    monomyth:divergenceRationale """Across the album, traditional mythic elements involving physical
threats, magical realms, or external monsters are completely internalized. The 'unknown' is the
hero's own mental health. The Herald, the Whale, and the Magic Flight are recontextualized as
battles against anxiety, intrusive thoughts, and the urge to regress. The ultimate rewards—the Boon,
Master of Two Worlds, and Freedom to Live—are semiotically shifted from cosmic conquests to the
achievement of emotional empathy, mental equilibrium, and living free from the shame of past trauma."""@en .

<sable-fable/divergences/semiotic/the-secular-anchor> a monomyth:SemioticDivergence ;
    rdfs:label "The Secular Anchor (Loved Ones as Mythic Forces)"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-plea-for-forgiveness>,
        <sable-fable/stages/the-peaceful-love>,
        <sable-fable/stages/the-blissful-rest>,
        <sable-fable/stages/the-lifeline> ;
    monomyth:divergesFrom monomyth:SupernaturalAid,
        monomyth:TheMeetingWithTheGoddess,
        monomyth:Apotheosis,
        monomyth:RescueFromWithout ;
    monomyth:divergenceRationale """In classical mythology, the hero is aided, elevated, or rescued
by supernatural entities, wizards, or cosmic deities. In this autobiographical framework, these
divine signifiers are secularized into the grounding reality of human connection. The profound,
earthly safety of a romantic partner (and the forgiveness of friends) replaces magical intervention.
The structural function remains intact—providing the exact 'bliss', 'aid', or 'rescue' the hero
needs—but the vocabulary is entirely shifted to the intimate reality of healthy relationships."""@en .

<sable-fable/divergences/semiotic/the-internal-temptress> a monomyth:SemioticDivergence ;
    rdfs:label "The Internal Temptress (Seduction of Regression)"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-temptation-to-regress> ;
    monomyth:divergesFrom monomyth:WomanAsTheTemptress ;
    monomyth:divergenceRationale """In classical myth, this stage is often represented by a literal
female figure or physical vice that tempts the hero to abandon their quest. In this psychological
framework, the 'Temptress' is the hero's own mind. The seduction is the allure of the familiar
darkness and the comfort of old, destructive habits, which threaten to bind the hero's consciousness
to their past trauma rather than allowing them to transcend it."""@en .

<sable-fable/divergences/semiotic/the-geographical-threshold> a monomyth:SemioticDivergence ;
    rdfs:label "The Geographical Threshold (Distance and Decay)"@en ;
    monomyth:divergenceOf <sable-fable/stages/the-weight-of-the-world> ;
    monomyth:divergesFrom monomyth:TheCrossingOfTheReturnThreshold ;
    monomyth:divergenceRationale """In myth, the Return Threshold often involves crossing a physical
boundary back into the mortal realm, where magic fades. In this autobiographical narrative, the
threshold is both geographical (moving from Wisconsin to California) and relational. The 'magic'
that threatens to fade is the blissful, effortless love of the Goddess/Apotheosis stage, which must
now survive the mundane, corrosive elements of time, distance, and emotional 'decay'."""@en .